{"id":131,"date":"2016-01-27T19:07:08","date_gmt":"2016-01-27T18:07:08","guid":{"rendered":"http:\/\/www.silviagiambrone.com\/nuovosito\/?page_id=131"},"modified":"2026-06-20T06:51:52","modified_gmt":"2026-06-20T06:51:52","slug":"biography","status":"publish","type":"page","link":"https:\/\/www.silviagiambrone.com\/it\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"
\n

Silvia Giambrone <\/strong><\/h3>\n\n\n\n

nata ad Agrigento nel 1981, vive e lavora tra Roma e Londra.<\/p>\n\n\n\n

Collabora con la galleria Richard Saltoun Gallery<\/a> di Londra, lo Studio Stefania Miscetti Studio<\/a> di Roma, Prometeo Gallery<\/a> di Milano<\/p>\n\n\n\n

Studi<\/strong> <\/b><\/h4>\n\n\n\n

2002-2006 Accademia di Belle Arti, Roma<\/p>\n\n\n\n

Premi \/ Workshops \/ Residenze \/ Conferenze
\n<\/strong><\/h4>\n\n\n\n

2022<\/p>\n\n\n\n

Tokyo Film Award, Best Short Film, <\/em>Tokyo, Japan<\/p>\n\n\n\n

Tokyo Film Award, Best Inspirational Film, <\/em>Tokyo, Japan<\/p>\n\n\n\n

Best Experimental Short Award<\/em> – Lady filmmakers festival, Beverly Hills, Los Angeles<\/p>\n\n\n\n

Award of Recognition: Women Filmmakers – Accolade global film festival <\/em><\/p>\n\n\n\n

Award of Recognition: Contemporary Issues \/ Awareness Raising – Accolade global film festival <\/em><\/p>\n\n\n\n

Best Poster – San Francisco art house Film Festival
\n<\/em><\/p>\n\n\n\n

Best makeup – San Francisco art house  Film Festival <\/em><\/p>\n\n\n\n

Best editing –  San Francisco art house  Film Festival
\n<\/em><\/p>\n\n\n\n

Best Performance art Award<\/em>, FAFF \u2013 The Fine Art Film Festival<\/em>, Venice Institue of contemporary art, Venice, Los Angeles<\/p>\n\n\n\n

Best Cinematography Award<\/em>, FFFF \u2013 Feedback Female Film Festival<\/em>, Los Angeles, Toronto<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

Vaf Prize, Museo d’Arte Moderna e Contemporanea di Trento e Rovereto,  Vaf Foundation<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

Swatch Art Peace Hotel<\/em> Residency, Shanghai, China<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

Special Prize  Ars Nova 100<\/em>, Winner, Arte Laguna Prize,  Beijing<\/p>\n\n\n\n

Arte, reaction and resistence<\/em>. Conference chaired by Carla Subrizi with Laura Iamurri, Michela Becchis, Silvia Giambrone, Maria Antonietta Trasforini,  Macro Museum, Rome.<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

Donne (non pi\u00f9) anonime, confronto sul femminicidio<\/em>, conference, Albumarte, Rome<\/p>\n\n\n\n

Premio Level 0<\/em>, Winner, ArtVerona<\/p>\n\n\n\n

Premio Smartup Optima, <\/em>Winner, Naples<\/p>\n\n\n\n

2015<\/p>\n\n\n\n

Residency<\/em>,<\/i> ISCP, New York<\/p>\n\n\n\n

2014<\/p>\n\n\n\n

Francesco Fabbri Prize<\/em>,<\/i> Mention BIM winner, Pieve di Soligo<\/p>\n\n\n\n

Collector for Celeste Prize<\/em>, Winner, ArtVerona<\/p>\n\n\n\n

Premio Level 0<\/em>, Winner, ArtVerona<\/p>\n\n\n\n

\u201cThe sense of a detonation\u201d<\/em>, <\/i>theatre laboratory by Silvia Giambrone and Davide Enia, Teatro Valle Occupato, Rome<\/p>\n\n\n\n

2013<\/p>\n\n\n\n

Main Prize, <\/em>Winner, Kaunas Biennale<\/p>\n\n\n\n

Residency<\/em> in Tenuta Vallefredda, <\/i>Tenuta Antonello Colonna, curated by SACS, visiting professor: Nari Ward. Labico, Rome<\/p>\n\n\n\n

Nel segno di Carla Lonzi, Festival dei saperi e delle pratiche delle donne, Bari<\/em><\/p>\n\n\n\n

2012<\/p>\n\n\n\n

Autoritratto: un libro e un metodo,<\/em> <\/i>Galleria Nazionale di Arte Moderna, Roma<\/p>\n\n\n\n

2011<\/p>\n\n\n\n

Residency<\/em>, Palazzo Riso Museum, Palermo<\/p>\n\n\n\n

Residency V International art \u201cAlanica 2011\u201d, Vladikavkaz, Republic Noth Ossetia-Alania<\/em><\/p>\n\n\n\n

Carla Lonzi: a portrait, <\/em>Arcibellezza, Milano, curated by Francesca Guerisoli<\/p>\n\n\n\n

2010<\/p>\n\n\n\n

Residency<\/em>, Upload Art Project, Trento<\/p>\n\n\n\n

Residency<\/em>, Torre Coccaro, Bari<\/p>\n\n\n\n

2009<\/p>\n\n\n\n

Advanced course in visual arts,<\/em> Visiting Professor Walid Raad – Antonio Ratti Foundation, Como<\/p>\n\n\n\n

Epson Prize<\/em>, winner, Bevilacqua la Masa Foundation, Venice<\/p>\n\n\n\n

2008<\/p>\n\n\n\n

Young Artist Award<\/em>, selected, Agnelli Foundation, Turin<\/p>\n\n\n\n

Mostre personali
\n<\/strong><\/h4>\n\n\n\n

2023<\/p>\n\n\n\n

Sexually explicit content,<\/em> prroject Room, PAC Padiglione arte contemporanea, curated by Diego Sileo, Milan<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Some things, <\/em>Nicola del Roscio Foundatio, Rome<\/p>\n\n\n\n

Fighting words<\/em>, Prometeo Gallery, Milano<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

Hall of shadows<\/em>, in collaboration with Dior autumn-winter 2021-2022 women\u2019s ready-to-wear collection designed by Maria Grazia Chiuri<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Baby dull 2020<\/em>, Spazio Taverna, Rome<\/p>\n\n\n\n

Nobody\u2019s room. Anzi, paarla<\/em>, Museo del Novecento, Milan<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

Sovvertimenti, <\/em>Museo ‘900, Firenze, a cura di Paola Ugolini<\/p>\n\n\n\n

Feminism in Italian conetmporary art,<\/em> Richard Saltoun Gallery, curated by Paola Ugolini, London<\/p>\n\n\n\n

La Correzione<\/em>,  Marcolini Gallery, Forl\u00ec (FC)<\/p>\n\n\n\n

La Correzione<\/em>,  Paolo Maria Deanesi Gallery, Trento<\/p>\n\n\n\n

2018<\/p>\n\n\n\n

Il danno<\/em>, Studio Stefania Miscetti, Rome<\/p>\n\n\n\n

Atto unico per mosche,<\/em> Rossini Foundation, curated by Francesca Guerisoli, Briosco (MB)<\/p>\n\n\n\n

Silvia Giambrone|Marco Gobbi<\/em>, Alti Piani, curated by Roberto Farneti, Van Der and Di\/Da, Bozen<\/p>\n\n\n\n

Una Vetrina<\/em>, The Indipendent, Rome, curated by Benedetta Carpi De Resmini<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

Gina Pane – Silvia Giambrone, the expanded action<\/em>;  Crearte Studio, curated by Carlo Sala, Oderzo (TV)<\/p>\n\n\n\n

Say it with flowers<\/em>, <\/strong>Studio Stefania Miscetti, Roma<\/p>\n\n\n\n

Archeologia domestica Vol. I, <\/em>Italienisches Kulturinstitut K\u00f6ln, <\/em>Deutschland<\/p>\n\n\n\n

2015<\/p>\n\n\n\n

Archeology of the domestic Vol. I, Create Studio, Oderzo (TV)<\/em><\/p>\n\n\n\n

Silvia Giambrone: A terrible love of war,<\/em> 10th<\/sup> Kaunas Biennale, National Museum of M. K. \u010ciurlionis, Kaunas, Lithuania<\/p>\n\n\n\n

2014<\/p>\n\n\n\n

Sound Corner,<\/em> Auditorium Parco della Musica, Rome<\/p>\n\n\n\n

Ci\u00f2 che non siamo ci\u00f2 che non vogliamo,<\/em> Alto Garda Museum, Trento, curated by Federico Mazzonelli and Denis Isaia<\/p>\n\n\n\n

Due o tre cose che so di lei, <\/em>Teatro delle Esposizioni #5, Villa Medici, Academie de France, Rome, curated by Claudio Libero Pisano and Giovanna Zapperi<\/p>\n\n\n\n

2013<\/p>\n\n\n\n

Silvia Giambrone,<\/em> MAR Museum, Ravenna, curated by Silvia Cirelli<\/p>\n\n\n\n

2012<\/p>\n\n\n\n

The empire’s free slaves,<\/em> Galleria Doppelgaenger, Bari<\/p>\n\n\n\n

Parallel Borders,<\/em> Rome, curated by Mark Mangion<\/p>\n\n\n\n

2011<\/p>\n\n\n\n

Poetics of relation<\/em> – Silvia Giambrone Liliana Moro – Paolo Maria Deanesi Gallery, Rovereto<\/p>\n\n\n\n

Out of myself, <\/em>Spazio Ferramenta, Turin, curated by Susanna Sara Mandice, Raffaella Bassi, Gene Urciuoli<\/p>\n\n\n\n

2010<\/p>\n\n\n\n

Ottobrata, Galleria Bonomo, Torre Coccaro, Bari, curated by Lino Sinibaldi and Antonella Spano<\/em><\/p>\n\n\n\n

Invito all\u2019opera, <\/em>Galleria Il ponte contemporanea, curated by Achille Bonito Oliva<\/p>\n\n\n\n

More to come,<\/em> Upload art project, curated by Federico Mazzonelli, Silvia Conta, Julia Trolp, Trento<\/p>\n\n\n\n

2008<\/p>\n\n\n\n

Speaking your language I learnt how to hate you,<\/em> NextDoor Gallery, Rome, curated by Lorenzo Benedetti<\/p>\n\n\n\n

Mostre collettive<\/strong><\/h4>\n\n\n\n

2023<\/p>\n\n\n\n

You owe me one<\/em>, Prometeo Gallery, Milano<\/p>\n\n\n\n

Cinequest Film & VR Festival<\/em>, San Jose, California<\/p>\n\n\n\n

Le ferite di Roma,<\/em> Galleria Mattia De Luca, a cura di Ludovico Pratesi e Marco Bassan, Roma<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

World of International Film,<\/em> Glasgow, Scotland<\/p>\n\n\n\n

Viaggio in Italia XXI<\/em>, Casa di Goethe, curated by Ludovico Pratesi and Gregor Hersch, Rome<\/p>\n\n\n\n

Turning pain into power<\/em>, Kunst Meran Arte Merano, curated by Judith Waldmann, Meran<\/p>\n\n\n\n

Lady filmmakers festival,<\/em> Beverly Hills, Los Angeles<\/p>\n\n\n\n

The mill of performing art<\/em>, Film Festival, Larissa, Greece<\/p>\n\n\n\n

The tilted body \u2013 International Festival of performance art, <\/em>Biennale Arcipelago Mediterraneo, Palermo<\/p>\n\n\n\n

Accolade global film festival<\/em>, Los Angeles
\n<\/em><\/p>\n\n\n\n

San Francisco art house Film Festival, <\/em>San Francisco<\/p>\n\n\n\n

INTERTWINGLED \u2013 The role of the Rugs in Art, Craft and Design, <\/em>La Galleria Nazionale, Rome<\/p>\n\n\n\n

Edipo, lo sguardo in s\u00e9, <\/em>Galleria Regionale di Palazzo Bellomo, Siracusa<\/p>\n\n\n\n

FAFF \u2013 The Fine Art Film Festival<\/em>, Venice Institue of contemporary art, Venice, Los Angeles<\/p>\n\n\n\n

FFFF \u2013 Feedback Female Film Festival<\/em>, Los Angeles, Toronto<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

Reclaiming and Making: Art, Desire, Violence, <\/em>Museum Of Sex,  curated by Emily Shoyer, New York, NY<\/p>\n\n\n\n

Orizzonti del Corpo, <\/em>Palazzo da Mosto, curatedy by Marina Dacci, Reggio Emilia, Italy<\/p>\n\n\n\n

Mascarilla 19 – Codes of domestic violence,<\/em> LOOP Festival, Fundaci\u00f3 Antoni T\u00e0pies, Barcelona, Spagna<\/p>\n\n\n\n

Mascarilla 19 – Codes of domestic violence, <\/em>Perugia Social Film Festival, Perugia<\/p>\n\n\n\n

Mascarilla 19 – Codes of domestic violence,<\/em> Teatrino di Palazzo Grassi, Venice<\/p>\n\n\n\n

Mascarilla 19 – Codes of domestic violence,<\/em> Castello di Rivoli, Rivoli (To)<\/p>\n\n\n\n

I say I, La Galleria Nazionale, curated by Paola Ugolini, Cecilia Canziani, Lara Conte, Roma<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Mascarilla19, MAXXI Museum, Roma<\/p>\n\n\n\n

Lo Schermo dell\u2019arte, Palazzo Strozzi Museum, Florence<\/p>\n\n\n\n

Mascarilla 19, Palazzo Grassi Museum, Venice, Italy<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

The body in pieces<\/em>, Art-Lab Berlin, curated by Charlotte Bank and Salah Saouli, Berlin<\/p>\n\n\n\n

The party exhibition<\/em>, Studio Ch\u00e9rie, Berlin<\/p>\n\n\n\n

Libere tutte,<\/em> Casa Testori, Novate Milanese, curated by Daniele Capra and Giuseppe Frangi<\/p>\n\n\n\n

Wall-eyes. Looking at Italy and Africa<\/em>, Rome, Fondazione Musica per Roma \u2013 Auditorium Parco della Musica, curated by Ilaria Bernardi<\/p>\n\n\n\n

Italia, racconti invisibili,<\/em> Italian Embassy, Sarajevo, Bosnia Erzegovina, curated by Micol di Veroli<\/p>\n\n\n\n

Wall-eyes. Looking at Italy and Africa, <\/em>Cape Town, 6 Spin Stree, a cura di Ilaria Bernardi<\/p>\n\n\n\n

Italia. I racconti (in)visibli<\/em>, Gyumri, Armenia, Styles Regional Gallery, curated by Micol Di Veroli<\/p>\n\n\n\n

Italia. I racconti (in)visibli<\/em>, Santiago del Cile, Museo Cultural Las condes, Cile, curated by Micol di Veroli<\/p>\n\n\n\n

VII VAF Foundation Prize<\/em>, Mart Museo di Arte Moderna e Contemporanea di Trento e Rovereto<\/p>\n\n\n\n

Donne. Corpo e immagine tra simbolo e rivoluzione<\/em>, Galleria d\u2019Arte Moderna, Rome<\/p>\n\n\n\n

2018<\/p>\n\n\n\n

Young Italians 1968 – 2018<\/em>, Italian Institute of Culture, curated by Ilaria Bernardi, New York City<\/p>\n\n\n\n

SHE DEVIL Remix<\/em>, Pecci Museum, curated by Cristiana Perrella, Prato<\/p>\n\n\n\n

Men at work\/ Women work better,<\/em> Bibo\u2019s Place Gallery , Rome<\/p>\n\n\n\n

Il corpo \u00e8 un indumento fragile<\/em>, Museo del 900, curated by Paola Ugolini, Florence.<\/p>\n\n\n\n

MAGMA. Il corpo e la parola nell\u2019arte delle donne tra Italia e Lituania dal 1965 ad oggi,<\/em> Istituto Centrale per la Grafica di Roma, a cura di Benedetta Carpi De Resmini, Rome<\/p>\n\n\n\n

Mottenwelt<\/em>, Galleria Marcolini, Forl\u00ec<\/p>\n\n\n\n

Notturno Domestico,<\/em> Spazio Y, a cura di Fabrizio Pizzuto, Rome<\/p>\n\n\n\n

Ada Advisor<\/em>, Palazzo Doria Pamphilj, Rome<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

Time is out of Joint<\/em>, National Gallery of Modern and Contemporary Art, Roma<\/p>\n\n\n\n

Body to body<\/em>, National Gallery of Modern Art, curated by Paola Ugolini, Rome<\/p>\n\n\n\n

She Devil on tour – Vilnius<\/em>, National Gallery, Vilnius, Lithuania,  curated by Benedetta Carpi De Resmini.<\/p>\n\n\n\n

Terra mediterranea: in action<\/em>, NiMAC, Nicosia, Cyprus<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

Left to Right<\/em>, <\/strong>Copperfield gallery, London
\n<\/strong><\/p>\n\n\n\n

Che ci faccio qui?<\/em>, MLAC, La Sapienza, Rome, curated by Fabrizio Pizzuto<\/p>\n\n\n\n

Beneath Our Feet And On The Surface Of Things<\/em>, <\/span>New Rochelle BID and R<\/span>esidency Unlimited, curated by Livia Alexander<\/span><\/p>\n\n\n\n

W. Women in Italian design<\/em>, IX Triennale Design Museum, Milan<\/p>\n\n\n\n

She Devil 8 – She Devil in the mirror<\/em>, Stefania Miscetti Studio, selected by Paola Ugolini, Rome<\/p>\n\n\n\n

Precarious Balance<\/em>, <\/strong>Art Film Night, CoCA Museum, Christchurch, New Zealand<\/p>\n\n\n\n

2015<\/p>\n\n\n\n

Chaotic Passion<\/em>, Museo Villa Croce, Genova<\/p>\n\n\n\n

‘Suite Rivolta’, Carla Lonzi\u2019s feminism and the art of revolt,<\/em> Museu de Electricidade, Doclisboa\u2019s Passage programme, curated by Anna Daneri and Giovanna Zapperi<\/p>\n\n\n\n

The Body as Language: Women and Performance<\/em>, Richard Saltoun Gallery, Londra, curated by Paola Ugolini<\/p>\n\n\n\n

Private view 2<\/em>, St\u00e4dtische Galerie, Villingen-Schweningen ‘Lovis-Kabinet’, Stadtbezirk Schwenningen, Germania<\/p>\n\n\n\n

2014<\/p>\n\n\n\n

Diversi muri, an homage to NOF4, Swiss Institute of Contemporary Art, Rome<\/em><\/p>\n\n\n\n

Sound Corner<\/em>, Auditorium di Roma, curated by Anna Cestelli Guidi <\/i><\/p>\n\n\n\n

Parallel Borders 1, Monuments and Shrines to Capitalism<\/em>, <\/i>Forum Stadtpark, curated by Mark Mangion, Graz<\/em><\/p>\n\n\n\n

Apulia Land Art Festival,<\/em> a cura di Francesca Guerisoli, Bosco di Cardigliano, Specchia (LE)<\/p>\n\n\n\n

Seminaria III<\/em>, Festival d’arte ambientale, a cura di Isabella Indolfi, Fabrizio Pizzuto, Marianna Fazi, Maranola<\/p>\n\n\n\n

Vice Veritatis,<\/em> Walk with the artist, Bergamo, curated by Art&Tours<\/p>\n\n\n\n

Here, There and Far, <\/em>Upload Art Project, Trento,curated by Federico Mazzonelli<\/p>\n\n\n\n

Togli il fermo<\/em>, Palazzo Riso Museum, Palermo, curated by SACS<\/p>\n\n\n\n

2013<\/p>\n\n\n\n

Let it go,<\/em> American Academy in Rome, curated by Nari Ward and SACS<\/p>\n\n\n\n

NOW! Giovani artiste italiane<\/em>, Ex Refettorio del Complesso San Paolo, Ferrara, curated by Lola G. Bonora and Silvia Cirelli<\/p>\n\n\n\n

KAUNAS BIENNAL UNITEXT \u201913,<\/em> National Museum of M. K. \u010ciurlionis, Lithuania<\/p>\n\n\n\n

ReMap4, Parallel Borders \/ Monuments & Shrines to Capitalism curated by Mark Mangion with Natalia Avlona, Athens<\/em><\/p>\n\n\n\n

C’\u00e8 una piccola radice che, se la masticate, vi spuntano le ali immediatamente, MAC – Lissone Museum of contemporary art, curated by Cecilia Guida<\/em><\/p>\n\n\n\n

MEDITERRANEA 16,<\/em> Biennial of Young Artists from Europe and the Mediterranean (BJCEM), <\/i>Ancona<\/p>\n\n\n\n

SUBJECTIVE MAPS\/ DISAPPEARENCES, Parallel Borders 1 \/ Monuments & Shrines to Capitalism curated by Mark Mangion for Malta Contemporary Art, National Gallery of Iceland<\/em><\/p>\n\n\n\n

Autoritratti. Iscrizioni del femminile nell’arte italiana contemporanea, <\/em>MAMbo, curatorial coordination by Uliana Zanetti, Bologna<\/p>\n\n\n\n

La Mala Educacion,<\/em> Biagiotti Gallery, Florence, curated by Pietro Gaglian\u00f2<\/p>\n\n\n\n

2012<\/p>\n\n\n\n

Intell-ego,<\/em> Bilotti Museum, Rome, curated by Roberto Iotti D\u2019Onorio<\/p>\n\n\n\n

Vetrinale, Rome, <\/em>curated by Cecilia Casorati, Micol di Veroli and Yuri Elena<\/p>\n\n\n\n

Re-Generation<\/em>, MACRO Testaccio, Rome, curated by M. Alicata and I. Gianni<\/p>\n\n\n\n

Flyers<\/em>, <\/i>la Fortaleza de La Caba\u00f1a, Oncena Bienal de la Habana<\/p>\n\n\n\n

2011<\/p>\n\n\n\n

Video in progress 3, <\/i>Fields of the Performative, Koroska galerija likovnih umetnosti Slovenj Gradec, Slovenia<\/p>\n\n\n\n

Ente Comunale di Consumo<\/i>, curated by Claudio Libero Pisano, Complesso del Vittoriano Museum, Rome<\/p>\n\n\n\n

Hear me Out<\/i>, CIAC Musem Castello Colonna, Genazzano, curated by Cecilia Casorati e Claudio Libero Pisano<\/p>\n\n\n\n

Cosa si prova ad avere un suono in testa? Prima traccia: Spostamenti e ridefinizioni<\/i>, Ex-Romberg, Roma, curated by Elena Abbiatici e Valentina G. Levy<\/p>\n\n\n\n

WO_MEN points of view<\/i>, 91mQ art project space, Berlin, curated by Francesca Referza<\/p>\n\n\n\n

Ogni donna sono io, <\/i>Pinacoteca Provinciale, Potenza, curated by Sara Errico e Antonella Viggiani<\/p>\n\n\n\n

Ente Comunale di Consumo<\/i>, curated by Claudio Libero Pisano, National Gallery of Cosenza, Palazzo Arnone<\/p>\n\n\n\n

Protest!<\/i>, Careof, Milano, curated by 1:1 project<\/p>\n\n\n\n

Condotto C per Reload, <\/i>Reload, <\/i>Rome, <\/i>curated by Fabrizio Pizzuto<\/p>\n\n\n\n

Achtung!Achtung!, <\/i>Ex Gil, Rome, curated by Micol di Veroli<\/p>\n\n\n\n

2010<\/p>\n\n\n\n

Video in progress 3, <\/i>Fields of the Performative, Cultural & Educational Centre – Vortex, Skopje, Macedonia<\/p>\n\n\n\n

Premio Razzano per giovani artisti 2010<\/i>, Museo del Sannio, Benevento<\/p>\n\n\n\n

Ente Comunale di Consumo<\/i>, curated by Claudio Libero Pisano, C.I.A.C, castello Colonna, Genazzano, Rome<\/p>\n\n\n\n

Qui vive, <\/i>Moscow International Biennale for Young Art, Russia<\/p>\n\n\n\n

EMERGEANDSEE <\/i>Media arts festival, Berlin<\/p>\n\n\n\n

Videoprogetto, <\/i>Grand Union, curated by Cheryl Jones e Helen Brown, Birmingham<\/p>\n\n\n\n

Il Cimitero della memoria, <\/i>Accademia dello Scompiglio, curated by Angel Moya Garcia and Cecilia Bertoni<\/p>\n\n\n\n

Platform Translation I\/F, <\/i>Museo Laboratorio d\u2019Arte Contemporanea, Universit\u00e0 La Sapienza di Roma, curated by Barbara D\u2019Ambrosio and Silvano Manganaro<\/p>\n\n\n\n

2009<\/p>\n\n\n\n

Video in Progress 3<\/i>, Photon Gallery, Ljubljana<\/p>\n\n\n\n

Video in Progress 3<\/i>, Laznia Contemporary Art Centre, Gdansk<\/p>\n\n\n\n

Cross Talk Video Art festival<\/i>, Budapest<\/p>\n\n\n\n

Festival Miden, <\/i>Kalamata<\/p>\n\n\n\n

Qui \u00e8 altrove<\/i>, Castelbasso Culture Project, curated by Francesco Poli and Francesca Referza<\/p>\n\n\n\n

A camel is a horse designed by a committee (attempts at rewriting the wor(l)d), <\/i>curated by Stefano Coletto, Anna Daneri, Cesare Pietroiusti,  Bevilacqua la Masa Foundation, Venice<\/p>\n\n\n\n

Pandora\u2019s boxes<\/i>, BAC!10.0, Cientro de cultura contemporanea de Barcelona<\/p>\n\n\n\n

2008<\/p>\n\n\n\n

Eurasia. Geographic cross-overs in art, <\/em>MART, Rovereto curated by A. Bonito Oliva, L.Benedetti, I. Boubnova, C. Casorati, Hu Fang, C. Rekade, J. Trolp<\/p>\n\n\n\n

Streams of consciousness<\/em>, Palazzo Grassi, Chioggia curated by C. Casorati<\/p>\n\n\n\n

Art Film Festival<\/em>, Bratilslava, curated by Nomadspace<\/p>\n\n\n\n

Nitrafest<\/em>, Nitra, Slovack Republic, curated by Nomadspace<\/p>\n\n\n\n

4 zivly <\/em>, Banska Stiavnica , Slovack Republic curated by Nomadspace<\/p>\n\n\n\n

2007<\/p>\n\n\n\n

Uncorrect spaces,<\/em> Pastificio Cerere, Rome, curated by Lorenzo Benedetti<\/p>\n\n\n\n

<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Silvia Giambrone  Silvia Giambrone was born in Sicily 1981. Lives and works between Rome and London. She works with Richard Saltoun Gallery in London, Stefania Miscetti Studio in Rome, Prometeo Gallery in Milan Education  2002-2006 Academy of Fine Arts, Rome Awards \/ Workshops \/ Residencies \/ Conferences 2022 Tokyo Film Award, Best Short Film, Tokyo, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-131","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.silviagiambrone.com\/it\/wp-json\/wp\/v2\/pages\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.silviagiambrone.com\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.silviagiambrone.com\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.silviagiambrone.com\/it\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.silviagiambrone.com\/it\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":6,"href":"https:\/\/www.silviagiambrone.com\/it\/wp-json\/wp\/v2\/pages\/131\/revisions"}],"predecessor-version":[{"id":2500,"href":"https:\/\/www.silviagiambrone.com\/it\/wp-json\/wp\/v2\/pages\/131\/revisions\/2500"}],"wp:attachment":[{"href":"https:\/\/www.silviagiambrone.com\/it\/wp-json\/wp\/v2\/media?parent=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}